Last Friday I went to Paul Simon's "Under the African Skies" concert at the Brooklyn Academy of Music. It was the second in the series of three that Simon is performing at BAM this month. The first show I saw was music from "The Capeman," Simon's short-lived Broadway musical. That show was an exciting introduction for me to a side of Simon's music I hadn't yet explored, a mix of salsa and doo-wop. I wish I could have seen the show on Broadway. "Under African Skies" was all the music I had grown up listening to on the albums "Graceland" and "Rhythm of the Saints." It was wonderful to see it live. I remembered seeing Ladysmith Black Mambazo at Northrop Auditorium on the U of M campus back when I was probably eight or nine years old. My Dad used to play "Graceland" while doing the dishes, and my brother and I would dance and run around the house. That album has the most infectious energy. Every time it got to the bass solo break on "You Can Call Me Al" I'd try and spin around on the tile kitchen floor, break-dance style.
So, it was a little hard for me to enjoy some of the singers that Simon brought in to cover his songs. Vusi Mahlasela fit the bill, and his voice carried well over Ladysmith and the band. Kaïssa was also entertaining, but I often lost track of her voice in the lower registers. It may have been the sound man's fault. Luciana Souza was a good fit for "Born at the Right Time," being that she was five months pregnant. Her duet with Simon was also very touching. However, the overall energy of the show was very low-key until David Byrne showed up to cover "You Can Call Me Al" and "I Know What I Know."
There were a few twenty-something women sitting near me that seemed like they were going to fall asleep near the middle of the concert. When David Byrne came on stage, they perked up. Once Byrne was featured, everybody was dancing in their seats. He really stole the show.
I love Paul Simon's music, and I like his relaxed approach to performing. I understand that not everyone's attention is held by the music alone. I was going to say since he's getting older maybe it's good to have some other artists pump up the crowd, but David Byrne ain't no spring chicken at 56. Kudos.
I wouldn't call myself a Talking Heads fan (I heard "Burning Down the House" on the radio, that's about it), but I thought Byrne was a perfect fit for these Simon tunes. He successfully honored the spirit and sound of the original performance and at the same time infused the song with his own unique sound and expression.
2 comments:
I resent the statement that a 56-year-old is no spring chicken.
I second that.
I loved reading your memories of listening to Paul's music. One of my first "pop" piano books (not classical that is) was the Simon and Garfunkel collection. I loved to play Sound of Silence.
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